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	<title>Comments on: Episode -1: Rustycon Panel 1</title>
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	<link>http://www.audiocinemareview.com/2010/01/episode-1-rustycon-panel-1/</link>
	<description>Reviews of your new favorite Audio Cinemas</description>
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		<title>By: Jack</title>
		<link>http://www.audiocinemareview.com/2010/01/episode-1-rustycon-panel-1/comment-page-1/#comment-2</link>
		<dc:creator>Jack</dc:creator>
		<pubDate>Sun, 24 Jan 2010 13:30:24 +0000</pubDate>
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		<description>Really interesting conversation! I need to take umbridge with the one gent who says that without people criticizing there&#039;s no one to tell new people what they are doing wrong.
Firstly, I want to say I LOVE criticism for my works. I rarely get it, and when I do its often &quot;you&#039;re so great&quot; or &quot;it&#039;s not my thing&quot;. Neither of which is not an appropriate criticism.
Being a good critic is a skill in and of itself. Being able to identify the difference between &quot;what you like&quot; and &quot;what makes good Audio Drama&quot; are two different things. 
For example a good friend of mine pointed that I had a narrator in one of my shows and said that was an OTR thing and not something from Modern Audio Drama. 
Well, that&#039;s really a personal preference argument rather than an effectiveness issue, and I can appreciate that for what it is. But if he said, &quot;It&#039;s not my thing&quot; I&#039;d get no value out of the comment.

Secondly, there is a very good means for telling what&#039;s good out there. Subscribers.

Thirdly, the simple fact of WANTING to be a good producer means you listen widely, you compare and contrast with your own work, you look very critically at your own stuff and ask yourself this question. &quot;What could I do better?&quot; 
If your answer is &quot;Nothing&quot;.. Put down the pen. You&#039;re a genius like J.D. Salinger and only need to mail yourself your Audio Dramas once a year for no one else to hear.
J</description>
		<content:encoded><![CDATA[<p>Really interesting conversation! I need to take umbridge with the one gent who says that without people criticizing there&#8217;s no one to tell new people what they are doing wrong.<br />
Firstly, I want to say I LOVE criticism for my works. I rarely get it, and when I do its often &#8220;you&#8217;re so great&#8221; or &#8220;it&#8217;s not my thing&#8221;. Neither of which is not an appropriate criticism.<br />
Being a good critic is a skill in and of itself. Being able to identify the difference between &#8220;what you like&#8221; and &#8220;what makes good Audio Drama&#8221; are two different things.<br />
For example a good friend of mine pointed that I had a narrator in one of my shows and said that was an OTR thing and not something from Modern Audio Drama.<br />
Well, that&#8217;s really a personal preference argument rather than an effectiveness issue, and I can appreciate that for what it is. But if he said, &#8220;It&#8217;s not my thing&#8221; I&#8217;d get no value out of the comment.</p>
<p>Secondly, there is a very good means for telling what&#8217;s good out there. Subscribers.</p>
<p>Thirdly, the simple fact of WANTING to be a good producer means you listen widely, you compare and contrast with your own work, you look very critically at your own stuff and ask yourself this question. &#8220;What could I do better?&#8221;<br />
If your answer is &#8220;Nothing&#8221;.. Put down the pen. You&#8217;re a genius like J.D. Salinger and only need to mail yourself your Audio Dramas once a year for no one else to hear.<br />
J</p>
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